End of the World (2018) is a low-budget sci-fi disaster film produced by The Asylum, known for its over-the-top, B-movie style. Directed by Maximilian Elfeldt and written by Michael Varrati, the movie follows the Fisher family as they attempt to survive a series of global catastrophes triggered by massive solar storms.IMDb+9MovieHub+9Rotten Tomatoes+9
🌪️ Plot Summary
When renowned scientist Meredith Fisher (Jhey Castles) predicts that a series of solar storms will devastate the planet, she struggles to convince authorities of the impending disaster. As tsunamis, volcanic eruptions, and widespread flooding begin to occur, Meredith and her family—husband Sullivan (Joseph Michael Harris), son Kirby (Evan James Henderson), and daughter Sarah (Jacqueline Scislowski)—flee their city home in search of safety. Their journey leads them to high-elevation caves, where they hope to find refuge from the escalating chaos .Letterboxd+8MovieHub+8Rotten Tomatoes+8IMDb+6TVGuide.com+6IMDb+6Movie Reviews 101
🎬 Cast & Crew
- Director: Maximilian Elfeldt
- Writer: Michael Varrati
- Cast:
- Jhey Castles as Meredith Fisher
- Joseph Michael Harris as Sullivan Fisher
- Evan James Henderson as Kirby Fisher
- Jacqueline Scislowski as Sarah FisherTVGuide.com+3Letterboxd+3Rotten Tomatoes+3IMDb+2Rotten Tomatoes+2
📺 Where to Watch
You can watch End of the World for free on YouTube, courtesy of The Asylum’s official channel:
📝 Reception
The film has received mixed to negative reviews. On Rotten Tomatoes, it holds a 0% rating from critics and a 9% audience score, indicating a generally unfavorable reception . Critics have pointed out the film’s reliance on clichéd disaster tropes and its low production values. However, some viewers appreciate its earnest attempt at storytelling and its place within the B-movie genre .Rotten TomatoesMovieHub
⚠️ Final Thoughts
End of the World is a quintessential B-movie disaster film—entertaining in its own right if you’re in the mood for campy special effects and melodramatic performances. It’s best enjoyed with a lighthearted approach, embracing its over-the-top scenarios and earnest storytelling.